have imagined that it was based on the history of two actual theaters—Taiwan's Pavilion and Hong Kong's Theater. The Pavilion, which once appeared in the series "Glistening Shadows - Cinema in Everyone's Heart", was filmed by Hsiao-. It was phone database completed in 1938 and was jointly built by local gentry Chen Chen and others, hoping to introduce a second theater for Tainan At that time, the mainly screened black and white silent films, but those who could afford movie tickets were often wealthy or Japanese. Ten years later, Pavilion was renamed Theater due to operational problems.
In addition to silent films and black and white films, it also staged puppet shows and singer-songwriters. At the other end of the sea, the Empire Theatre, led by the wealthy businessman Harry Odell, was completed in North Point, Hong Kong in 1952. This theatre with a capacity of 1,300 people staged Western songs, dances and classical music. He hired the popular American soprano Helen Traubel to sing solo, almost rewriting the history of art and literature in Hong Kong. In 1959, the management right of Theater changed hands and became Theater, which changed to show Western and Mandarin films. Then in the year of Hong Kong's return, the Theater took Jackie Chan's "
A Good Man" as the end point and went to an end. Although the scales of the two theaters are different, they both carry the artistic and literary dreams of the local gentry in the same era, and they have not survived the hardships of the times, and each faces different preservation problems. 0_MNdS6NlkYQDn-VTn Photo Credit: © Lord 1960s postcard from the Imperial City Theatre Different eras, the same language passing by Wang, director of the Opera Troupe, and Yu, director of the Theater Space, said that "Emperor's ", which was written in the background of two theaters,